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India has gained praise from people all around the world for its rich culture, tradition, and artistic creations. Craftsmanship and artistic expression have always provided a living in rural places. In the past, artisans received a great deal of respect, awe, and adoration. The decline in demand for traditional handicrafts over time due to the effect of industrialisation, however, has made it difficult for local artisans in India to survive. The brilliance, originality, and diligence of rural craftsmen and their traditional artistry have been overshadowed by the rise of machine-made goods, a lack of possibilities, and a lack of demand. It’s important to support talented craftspeople and use contemporary marketing to showcase their talents. Rural craftspeople suffer greatly from low technological adoption, a lack of market knowledge, and weak institutional support from artisan associations. We, at Pramadaya Foundation, are providing the basic support to these artisans to create their beautiful arts 7 crafts and create opportunities for them to reach the global market and get recognition for their work. It is our responsibility to preserve our talents, unique artworks, beauty and enriched tradition. By empowering them and offering support, we can help them with opportunities to flourish their skills and abilities with financial benefits.
To address the challenges of artisans, the government of India has taken several initiatives but as a non-governmental organization, we feel that rural artists also need our support to survive in this competitive era. We give them a platform from which they can promote and sell their products even on the international market.

Lack of expertise, limited exposure to information and technology, lack of formal training, lack of promotional campaigns, non-competitive products, etc. are issues that the unorganized sector of artisans is facing today. The rivalry from the side of mills, power looms, and organized units is increasing day by day. They are compelled to offer their products at lower prices since they are unable to compete with industries. Handicrafts are no longer in high demand because of how industrialization has altered peoples’ demands and lifestyles. The time has come to nourish the artists of our country. We need to support them and insist that they increase the production of regional artwork and handcrafted goods manufactured by talented artisans in order to maintain the old culture, artistry, and tradition of our nation. Together, let’s use our online presence and business promotion to highlight the amazing culture that has existed for centuries.
Lack of technology and skill-improving opportunities: Typically, artisans pass down their profession down the generations. There aren’t many organizations that can assist craftspeople in developing new skills or innovating their existing processes. An artisan’s cluster’s trade is not covered by training provided by industrial training institutions. Many artists lack access to infrastructure such as practical workspace, storage areas, etc.
Lack of funding: In order to complete a piece of work seamlessly, artists need sufficient money to buy expensive materials. In our country, maximum rural artisans are facing financial challenges throughout their life. The lack of money and access to credit and loan facilities severely hurts the craft industry. The low percentage of loans given to craftsmen is attributed by banks to poor recovery rates, improper use of funds, a lack of outlets for selling finished goods, and uneducated borrowers. This typically drives artists to take out expensive loans from their neighborhood moneylender or trader.
High Competition: Rural crafts face intense competition in modern marketplaces due to the effects of globalization and the resulting availability of cheaper and more diversified items. They are frequently seen as traditional, ancient, and antithetical to contemporary trends. Few efforts are being made to improve the perception of crafts and increase customer appreciation of the history and cultural identity connected to handmade goods.
External Competition: Other Asian nations also pose a significant threat to Indian artists. The particularly potent competitor is China. Machines in China are used to produce handmade goods made in India. China has the ability and can produce in large quantities, however, India cannot produce due to a lack of labor. Furthermore, there are no product standards in Indian manufacturing. Both enough infrastructure and knowledge of contemporary technological developments and business trends are lacking in India.
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